How to design a super slick UI button in Photoshop

Buttons, buttons, buttons. We’ve all seen these little fellas. There’s probably loads sitting write at your finger tips this instance (unless your using a touchy screen, check you)! They’re an integral part of the user experience so I’m going to walk you through how to create a super slick UI button in Photoshop so you can add some awesome-ness into your UI. Your users’ will love you muchly.

What you’re going to need (or something similar)

• Photoshop (for precise pixel graphics)
• Illustrator (creating perfect shapes, PS will do this too though if Illustrator is the bane of you)
• A keen eye for pixels and colour

Right, let’s begin in Photoshop, create a new document at least 500×500 and make sure the DPI is 72.

Create a background to work on

First we need a background to place our button on. Unlock your background layer and fill it with your colour of choice (I’m using a dark (#575757) colour). Next I’m going to create a matte effect by applying some subtle  Noise (Filter > Noise > Add Noise) with the following settings Amount: 0.8%, Distribution: Gaussian, Monochromatic: Yes. Adding this matte effect gives it a ‘real world texture’, making it appear more realistic.

Important: Remember to keep the noise to a minimum (bet you’re sick of hearing that), don’t blind your users with thousands of pixels, just ease it in gently so it’s just noticeable.

Now hop into Illustrator or try the next step in Photoshop if you feel more comfortable.

The button shape

Most buttons you see around you are square, but not dead square. They will have small rounded corners which are ever so pleasing to the eye and this is what we want to achieve.

Select the Rounded Rectangle tool (make sure your stroke is turned off and your fill colour is black), click your canvas and enter the following options: Width: 100px, Height: 32px, Corner Radius: 4px. This will create a nice button with a small (but still noticeable) curved corners. Voila, our base of the button.

We need two other shapes though (do these in different colours), one two pixels bigger, the other two pixels smaller. The one that’s two pixels smaller will sit on top of our base shape, the larger one will lay underneath. Keep the Corner Radius’s the same though.

Copy each shape and assemble them in Photoshop with the appropriate layer positions. Our base shape will be the base layer, below that (the orange shape) the outer stroke and finally the blue shape will go above all of ‘em, call this the inner stroke.

Base layer

All the colours of our button will be based around our background colour and the base layer. So hide the inner stroke and outer stroke layers so we can focus on the base layer.

Lets start with a Gradient Overlay (double click the layer in the layers palette to bring up the layer styles) that’s darker than the background. Dark (#444444) at the bottom to light (#555555) at the top.

We need to now create a defined edge between the background and our button. Do this by adding an 1px inner  Stroke that is dark (#313131) at the bottom and light (#414141) at the top. This gives the button a sharp crisp edge and stops it looking all fuzzy.

Inner stroke layer

The inner stroke layer will be used to add a strong highlight to the inside of our button, giving the user the impression it’s sticking out of the page - wanting to be pushed!

Reveal the inner stroke layer and CMD+Click on the layer thumbnail to highlight everything inside and contract the selection by one pixel (Select > Modify > Contract).

Now hide the selection using a layer mask (Layer > Layer Mask > Hide Selection), this should leave you with a one pixel stroke.

Shiney time! Add a Gradient Overlay to the layer going from Dark at the bottom to light at the top. The bottom colour must still be lighter than the colour behind it though, keep this quite subtle. The colour at the top needs to be a bit brighter to give it that shine.

Remember when you’re working this zoomed in (600%), always zoom back out to 100% to see if the colours are working well together and the highlights/shadows are looking as they should. Here’s what you should have so far:

Outer stroke

Now to make the button seem as though it is embedded into the page and not just floating around. Make the outer stroke layer visible and add a Gradient Overlay to it. What were trying to do is create a lip at the bottom. So the top of the stroke must blend in with the background, where as the bottom will be a lot brighter, making the button seem deeper. I used #555555 at the top and #7c7c7c at the bottom.

Add some de-bossed text

Of course our button as to say something. So pick your favourite type face that is fairly weighty (not too thin) and add some light grey text. I’m using Georgia Italic at 14px #8e8e8e.

To give it that de-bossed look it needs a shadow at the top to give the impression that it’s the sunken edge. Duplicate your text layer (make sure it’s underneath the current one), nudge it up one pixel and give it a darker grey colour. Remember we’re trying to keep this subtle, so don’t go giving it a harsh black. The second colour I’ve used it #333333.

Here it is at 100%.

Adjusting the outer stroke

At the moment the outer stroke layer is looking a little harsh. I think it’d be better if the gradient started closer to the bottom edge of the button. Adjust the position of your darker colour to about 25% giving the button a sharper edge. That’s better!

And here we have our final button!

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